San Diego Playwrights

Getting San Diego Playwrights Produced on San Diego Stages

WordPlay Tuesdays at Diversionary Theatre and Ion Theatre Make a Casting Connection!


Mario Prado, Jr.

Mario Prado

So how does a printer in Palm Beach start acting at one of San Diego’s most reputable theatres when he doesn’t even know the theatre exists and hasn’t acted in 8 years? The answer is WORDPLAY TUESDAYS at Diversionary Theatre, in partnership with San Diego Playwrights. After an 8 year hiatus from “all things acting”, Mario Prado (who had acted both in New York and Los Angeles) felt that he needed to “reclaim what had been interred.” Having lost his mother last year, Prado found his innate creative urge too strong to resist, even if only to function as a momentary distraction. To that end he went to a “” gathering that sought actors to participate in the reading of original work. THAT reading lead to an invitation to participate in a reading of a piece by Michael Shames at WORDPLAY TUESDAYS at Diversionary Theatre, and while there he was asked to read in a second play by Tim West. He read with Hannah Logan. Recognizing that Prado had some “real actor” in him, Logan, encouraged him to audition for a role in a play she was producing at ion theatre, KIN by Bathsheba Doran. She was tenacious, and saw the hunger for theatre that only a fellow recovering thespian might recognize. From simply saying “yes” and being willing to support playwrights in developing their work, Hannah Logan got a rusty actor to blow off the dust and celebrate re-entry in two roles she needed to fill, AND one Mario Prado is getting to say “Hello” to his old friend, acting, in a big way. Shortly after being cast in KIN (in TWO roles), Prado was also cast in the upcoming reading of LYDIA by Octavio Solis, at ion. It just goes to show, a little willingness to help a fellow artist can be a “seemingly insignificant detail that can result in beauty.” (Quote from KIN)

Mario describes his recent re-entry into the theatre world as “illuminating, intrepid and deconstructive.” No doubt a rebuilding of sorts was in order, and Prado bravely signed up, hammer-ready.

KIN by Bathsheba Doran

OPENS March 14th

CLOSES April 4th,

RUNS Th-Sa, 8pm and Sat, 4pm

Go to for tickets and check out the ion theatre FACEBOOK page for pictures of Mario in his first table read of KIN

Or take a peek at his leap here:

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LOVE ALL YOU HAVE LEFT–An Interview with Matt Sivertson


Tell us about yourself.

My name is Matt Sivertson, and Love All You Have Left is my first play. I’m not a writer by trade but I love theater and the arts. My wife Caroline Amiguet is an actress, and with encouragement from her and her acting and theater friends from the Poolhouse Project I decided to try my hand at writing to see if I could develop an idea I had kicking around in my head.

Matt Sivertson

Matt Sivertson

Tell us about your play.

Love All You Have Left is the story of a woman who is distraught after the death of her young daughter. One day when she goes to investigate some noise in her attic she finds a teenage girl living there who says her name is Anne Frank. It’s hard to say much more about it without revealing too much about the play, but it’s intended to be a fairly philosophical piece. The woman was a philosophy professor before her daughter died and that background conflicting with her viewpoints after dealing with her tragedy provides a lot of the drive for ensuing events.

What are your challenges? What are your successes?

The biggest challenge is that I’ve never written anything before, and didn’t really know how. The idea for the story came from a somewhat vague idea and feeling that I wanted to capture. The original inspiration was from an album called In The Aeroplane Over The Sea by the band Neutral Milk Hotel and there is something ethereal about that album that I wanted to capture, but creating a coherent story that conveyed what I was going for without being too expository was more difficult than I had expected. I had to leave it and come back to it many times over a few years before it made a lot of sense.

As for successes, I was thrilled when the Poolhouse Project chose Love All You Have Left for a staged reading, so I’m already counting my blessings. I never would have imagined that I would write a play and get to see it performed. The lead character was written for my wife, Caroline Amiguet, so getting to work creatively with her is a definite highlight.

What is your next step?

I would really love to see a full theatrical production of course. Beyond that I’m working on the screenplay to be able to produce a feature-length film of Love All You Have Left. Both the theater and film communities in San Diego are extremely supportive and helpful, so I feel lucky to have the chance to try to tell a story.

Thanks for talking with us, Matt! Good luck with Love All You Have Left and the Poolhouse Project!

Poolhouse Project begins its Splash Works! New Plays Reading Series on Sunday, Feb. 15, 2015 at 7:00 pm with Love All You Have Left. The series includes four readings that showcase San Diego playwrights, actors and directors. The readings take place at San Diego Writers, Ink – The Ink Spot in Liberty Station, 2730 Historic Decatur Rd, suite 202. There is a $5 suggested donation at the door. For more information about the event, visit For questions, please contact Lydia Lea Real Visit the Poolhouse Project website here.

SAN DIEGO, I LOVE YOU–An Interview with Katie Harroff

Katie Harroff (Photo Credit Rich Soublet)

Katie Harroff (Photo Credit Rich Soublet)

Tell us about yourself and Circle Circle dot dot.

My name is Katie, or Katherine Harroff and I am the founding Artistic Director of the company.  I launched Circle in 2011 after several years post-Grad School because I couldn’t find something that let me do everything I really wanted artistically in San Diego.  If I wanted to act, I auditioned.  If I wanted to write, I wrote by myself in a dark room.  If I wanted to direct, I needed to try to find a gig that would let me.  If I wanted to devise experimental community-inspired interview-based theatre, like I studied in school, I couldn’t because it didn’t exist at the time.  It was nearly impossible to establish myself and also do everything that I wanted to do! So I gathered a handful of friends and we launched our dream company– not only so we could have a creative outlet in town, but so we could do the kind of theatre that we believed in: modern, deliberate, conversation-starting original productions that reflect real stories from real people.

We have presented works on Drag Queens, Live Action Role-Players, Street Artists, the San Diego Homeless community, Mall Santas, Astrophysicists, and more.  Every piece is a workshop experiment in creating a production that best-serves a story.  Sometimes our pieces are ‘straight’ plays; sometimes they incorporate dance, music, puppetry, film, and magic.

Tell us about San Diego, I Love You.


For the past three years we’ve sought out true romantic tales that took place with our beautiful city as a backdrop.  You’d be surprised to know how many people have fabulous love stories about meeting at a bar or a coffee shop in Hillcrest, University Heights, or more.  We take these stories and create scenes that are set and staged in unique locations and then we guide our audiences to travel with the performance and follow along in our beautiful city to watch the romance unfold.  Our first year featured a story about two friends entering the ‘relationship zone’, and last year we told the story about a military couple’s growing romance throughout several decades.

Previous production--San Diego, I Love You

Previous production–San Diego, I Love You (Photo Credit Rich Soublet)

Previous production San Diego, I Love You

Previous production San Diego, I Love You (Photo Credit Rich Soublet)

This year I interviewed two women that met and fell in love while studying in college so we’re setting the story at UCSD where there is beautiful architecture, a couple of fun on-campus businesses, and even an ocean view!  And since the location is a little more ‘controlled’ (we’re only showing the piece on weekends, when the campus is mostly empty), we are including beautiful choreography from Blythe Barton to aid in the dream-like retelling of this new story. It runs February 14-15 and 21-22.

Previous production--San Diego, I Love You

Previous production–San Diego, I Love You (Photo Credit Rich Soublet)

San Diego, I Love You is an example of a successful production experiment for Circle Circle dot dot.  This will be our third installment of this unique performance adventure, and we’ll continue doing it and bringing it to different neighborhoods in San Diego as long as people keep coming out for the shows!  I think the success of this production is a real testimony to the fact that audiences are looking for uncommon performance experiences, and that’s exactly what this site-specific show gives them.  I love this piece because it’s so raw and a little dangerous.  We call it a wild ride because it really is! The actors are ready for anything–and anything could happen when you take performance art outside.

Previous production--San Diego, I Love You

Previous production–San Diego, I Love You (Photo Credit Rich Soublet)

For more information visit Facebook event page or ticketing website

(Link to KPBS video

How did you adapt the piece for UCSD?

When we first decided on our subject (two college gals meeting and falling in love), we actually had quite a few campus options for staging.  The piece was not originally specific to UCSD.  It could be staged at any campus, but after securing the location I went back to layer in UCSD-specific language, with the help of some interviewees that studied at the College as Oceanography majors.

We also kept some things flexible; where a scene might be staged depends on the accessibility of a location and if a business would be interested in partnering with us, or allowing us to bring additional foot-traffic into their location.  Fortunately we have great contacts at UCSD, and they have provided us with many visually striking locations to stage the piece and also are supporting our intrusion of their businesses.

Like I previously mentioned, there is also a lot more flexibility in staging a piece on an empty campus versus staging it in a busy business-filled neighborhood on a weekend.  College campuses are a cesspool of randomness as it is, so most passersby are prone to accepting the weird dance that’s happening in their bubble.  We’re definitely taking advantage of this and taking more surrealistic risks with the piece this year than in previous years.  We’re utilizing the backdrop to its full potential, and creating some beautiful imagery on top of some heart-thumping scenes.

What is your next project?

On April 18th/19th we’re hosting a small festival reading of new works titled Inspired Community where we’ll be inviting audiences to provide feedback to new pieces we are considering producing for our 2016 Season.  The festival will be taking place at Bread and Salt, and tickets will be very affordable and on-sale soon!

After that, I’ve been having a great time developing Circle’s next Community-Based piece with an awesome local artist and Conservation Specialist: Michael Nieto.  For nearly a year now, Michael has been sharing the fascinating story of San Diego’s incredibly unique ecosystem with me.  Together he and I are developing a magical movement piece that reflects that world.  Expect puppetry, dance, music, and much more.  We’re having a great time developing something really special for our final production in-residence at La Jolla Playhouse.

Thanks for talking with us Katie! Good luck with San Diego, I Love You 3.0! Runs Feb. 14-15 and 21-22, 2015. Visit for more information and tickets.

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